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The 5 practitioners that I chose were:
- Kim JungGi
- Kentaro Miura
- James Gurney
- Andrew Tischler
- Nicolai Fechin
I did some background research into each of them, and found that they also draw inspiration from a rich pool.
Kim JungGi is influenced by Akira Toriyama's Dr Slump Manga (the shading and character design language is echoed strongly in Kim's work), American Illustrator Charles Dana Gibson (illustrations of people in action, emphasis on story and character) and also by fellow manga artist Kim Yonghwan. (filling the page, military/sci-fi themed illustrations)
He's well known for being able to recreate images from memory, but what impresses me most is his ability to balance a composition and account for perspective in situ- little-to-no need for a pre-drawing, he can just jump in with ink and every stroke and mark seems purposeful and planned... It's true mastery.
Kentaro Miura was influenced by some contemporaries such as Kouji Mori (Holyland, Sousei no Taiga) and Go Nagai (Violence Jack) as well as manga/anime Guin Saga and even Shoji/romance.
Furthermore, Miura also drew inspiration from the works of Hieronymus Bosch.
He has a huge body of work in the Berserk manga, with thousands of drawings, mostly in pen and ink. The panels are violent, dark, emotive and richly detailed. The story is just as important, but the panels really help drive home the moments and the feelings.
James Gurney is a fountain of knowledge and information, his
Gurneyjourney blog is an incredible (and free) resource that I'm happy to recommend to anyone with even a tangential artistic interest.
As such, Gurney shares his inspirations and thoughts freely and generously- some of the names that stood out to me were his contemporary artist and travel companion Thomas Kinkade; a prolific American painter.
Other Artists include John Singer Sargent (Incredible portraits, light and colour), Anders Zorn (His etchings capture the essence of his subjects with minimal pencil mileage) as well as paintings that pull and push the level of detail.
JoaquÃn Sorolla's beach scenes and water have a loose, pleasing aspect- with stories to tell.
Tom Lovell is an example of a great American illustrator, I can't help but feel captured by his characters and use of dynamic lighting.
M.C Escher's perspective experiments are also an excellent inspiration- and I'm sure he's had some influence on Kim JungGi on some level.
Normal Rockwell really is a master of illustrative painting- ever character has so much energy and character, and the colour schemes are carefully thought out and well executed.
Adolph Menzel also used his excellent painting ability to create dramatic scenes, and his armour studies are something that many boys and men can resonate with!
Andrew Tischler recently caught my eye thanks to YouTube- to call his paintings photo-realistic would be damning with faint praise, they elevate the subject and express the grandeur of nature wonderfully.
Like a younger James Gurney, Tischler also shares much of his knowledge and inspiration openly and freely online. Though both also offer more in-depth tutorials and videos to paying customers. (Something that I'll look into learning from once I have my basics down.)
Tischler has many inspirations, including many local Australian artists such as Hans Heysen (Made the gum tree into a real icon, interesting use of warm light), Frederick McCubbin and his landscape+portrait combinations, and buzzing brushwork.
Other Australian inspirations include Arthur Streeton (Limited but gorgeous landscapes) and Thomas Roberts' expressive pastel coloured landscapes.
Tischler is also inspired by artists from the Hudson River School, for example Thomas Moran's moody and strikingly-lit landscapes/weather. Albert Bierstadt had a similar style, though the grandeur and lighting seems to be a touch more powerful.
The works of Carl Rungius truly feel like the work of a mountain man- his wildlife and scenery make me want to move to some American mountain range and live off the land.
Tischler is a relatively young artist, but his skill is way ahead of his years- it's well worth considering his approach and ethos in order to make progress in a more timely manner.
Nicolai Fechin hailed from Russia, his portraiture demonstrates total mastery of drawing, value, composition and a range of brushwork.
I learned that he recommended learning how to use Red, Blue and Yellow as the basic colours, and to learn how to distinguish between the three. Fechin would apply his paints "layer by layer, creating a 'vibration.'"
I found that he was a student prodigy, traveling around Europe and later America and demonstrating his skill.
His contemporary, Ilya Repin is a wonderful artist in his own right- where Fechin's work masterfully moves between exquisite detail and lush expressive strokes, Repin's work is much more grounded in realism- his pieces all seem to express a story in the characters eyes and actions.